For much of the play, Othello resists, ignores, or seems indifferent to the racism that dogs him. Even when the play is titled The Tragedy of Othello, the Moor of Venice, the ethnic origin of the main protagonist remains … Brabanzio twice accuses Othello of using magic to seduce his daughter (in I.i. Advertisement. c. Is there any coordinating logic between sexual jealousy, career jealousy, and racism? What is the meaning of Othello's expression "goats and monkeys!" Othello enters the port of Cyprus with an elegant and philosophically astute statement about the nature of happiness. Roderigo immediately addresses Iago’s disdain for Othello: “Thou told’st me thou didst hold him in thy hate,” he says. Racism in Othello - William Shakespeare 1. 2.) The entire first act of the play dehumanizes Othello. The constant subtle and overt racism that Othello encounters […] Ultimately, the external racism and prejudice towards Othello are what induce his self-destruction — repetitively evident throughout the well-woven tale. Find a summary of this and each chapter of Othello! The characterisation of Othello was presented through the dominant ideology of the predilection, prejudice and paragon image of race. On November 1, 1604, Othello was performed for the first time by King’s men at the court of King James I. Othello Quotes Act 1. Chapter Summary for William Shakespeare's Othello, act 1 scene 1 summary. Women in the play are viewed by men as objects, available for their possession and use. “Forsooth a great arithmetician…. Othello 1.1.109-112Later we are told that Iago’s motive is jealousy and he uses the rhetoric of racism to undermine Othello, playing on Brabantio’s prejudices to provoke him, even though, as Othello relates later, ‘Her father loved me, oft invited me.’ [1.3.129] A shock and a few crude comments from Iago is all it takes to make a respected figure turn against a close friend of equal stature simply … 3 Prominent Themes Found in William Shakespeare's 'Othello' It depicts the attitude of European society towards those that were different in colour, race and language. Act 1, Scene 1 . When Iago says an "old black ram" (Othello) is "tupping" (sleeping with) Brabantio's "white ewe" (Desdemona), he plays on Elizabethan notions that black men have an animal-like, hyper-sexuality. He is the catalyst of all the destructive events throughout the play starting from the very beginning. Iago - Supplanter Galican and Welsh form of the name Jacob which means to supplant - "one who wrongfully or illegally seizes and holds the place of another" Evovled from latin word "supplantare"meaning "to trip up or to overthrow" Othello- named after Roman Emperor, Otho Emperor The portrayal of the eponymous character in the play was stereotypically insinuated to be savage, violent and aggressive; however, was based on falsehood in order to expose Iago’s duplicitous character and ultimately Othello’s hamartia. Still, despite any stereotypes, Othello secretly marries Desdemona. Brabantio thinks little of Roderigo. 73 – 80), and he repeats the same charge a third time in front of the duke in Act I, scene iii. Roderigo is the first to surface this racist attitude when he refers to Othello as "the thick-lips" (66); then, Iago, unsatisfied with Roderigo's ability to incense Brabantio, refers to Othello as "an old black ram" (88) who "is tupping your white ewe" (89) (Desdemona), "a Barbary horse" (111) and … Racial and female stereotypes also dominate. Iago refers to Othello not by his name but as 'the Moor', calling him 'the devil' (2.1.216) and 'defective' (2.1.220), a racist portrayal which makes Desdemona's unfaithfulness more believable to Roderigo. Iago portrays Desdemona as lustful, desperate to trade Othello for a more refined Cassio. Shakespeare’s Othello is described as a “Barbary horse” (Act I, Scene 1, l. 120) by Iago, and he stirs up Brabantio’s anxiety, rage, and the will to take action by vulgarly stating, in one of the important quotes from Othello that Desdemona and Othello “are now making the beast with two backs” (Act I, Scene 1, l. 125).